30 By 40 Design Workshop – Keep looking at 30X40 digital photos whenever you start a new project. Watch this video and video to see how Eric used this template to create his signature style, or save yourself time with pre-made templates for:
If you’re interested in the precise conditions, styles, and drawing methods Eric uses in his practice, 30X40 Design Workshop, LLC, now’s your chance to mentally evaluate one of them. Digital floor plan images. Use this working drawing in AutoCAD .dwg format as a guide to improve your own drafting conventions and replicate the visual and graphical methods Eric uses in his practice.
30 By 40 Design Workshop
This is a fully editable AutoCAD (.dwg) file that includes floor plans, floor plans, upper level plans, and roof plans for original projects from the 30X40 Design YouTube series workshop “The Outpost”. The file comes in the title block layout shown, not the AutoCAD 30X40 template or .ctb file.
×40 Shop Part 7: Climate Control Overview
AutoCAD Floor Plan Drawing (.dwg) Four drawings done in 1/4″=1′-0″ US Imperial units. The four drawings are: Base Plan, Main Level Plan, Upper Level Plan and Roof Plan. File includes four Arch D size layout sheets (24″ x 36″) with title blocks shown (additional title blocks with new title block pack)
Complementing the AutoCAD + Revit 30X40 Design Workshop model are pre-designed title blocks. The set includes the three most common sizes + Imperial. Additionally, it is compatible with four sizes of cover sheets that seamlessly marry the AutoCAD + Revit 30X40 drawing format. Add your logo + symbol and these simple and clean patterns are ready to design.
This template is an expansion pack for the AutoCAD 30X40 template (which you need first) and gives you a minimalistic 30X40 design for electrical plans. Including notes, tags, title blocks + a short video tutorial with tips on workflow and input. You must have 30X40’s AutoCAD Template + Layout installed to work properly.
The use of template files ensures that each image starts with the correct conditions and standard blocks, every time with one click. The included files will help you recreate the simple, graphic methods Eric Reinholt uses for all residential CAD work in his studio, 30X40 Design Workshop.
For More Than 20 Years, We Have Designed Interiors And Created A Connection Between Function And Aesthetics, Between Craftsmanship And Strategic Advice. — Co.designstudio
Tired of endlessly tweaking SketchUp to make simple yet professional-looking models? These features + settings will allow you to move towards your best design work. Use them as is or as the basis for your own signature presentation style. You get everything you need to create visually appealing models without having to learn new rendering software or complex plug-ins like V-Ray or Podium.
As an architect, I care about clean, clear images, and SketchUp is easy to use for modeling, but a poor presentation tool that always annoys me. I could never use an out-of-the-box approach with SketchUp to present to my clients. My design style balances crisp visual assembly with paint and sketchwork that complement SketchUp’s workflow, while maintaining a professionally defined aesthetic you can use for presentations. The key to achieving the look is included in the customized SketchUp Style (.style) file I included. They are easy to use: load the style collection, press a button to apply the selected style, and your model will be updated instantly.
In addition to the sample files and sample layouts, I’ll walk through my workflow and the process I use to create the three types of models I use most in my residential architecture practice. The client. As the project enters its twenty-seventh month of construction (!) the team has begun finishing the interior. The delay in the distribution of the epidemic, the lack of steady work, and the bad and sad delay resulted in the making of a legend.
Not all architects consider interior design part of their job, but for residential architects it is an important part of what I do. I must consistently apply a holistic perspective and reflection of architectural design solutions throughout. Of course, there are different levels of behavior that we can do. I’m not a fan of Frank Lloyd Wright, but I’ve always admired his ability to design the final details of clients’ homes. From glassware to tableware, linens, art and accessories. He designed all the furniture and designed the space to oversee the overall experience inside and out. While most people have a limited budget and patience for this level of design integration (especially after 27 months of construction), it remains aspirational for architects.
Schematic Design Presentation
The interior design process is a combination of design and curation. Some elements, such as door and window details, cabinetry, appliance selection, plumbing, and lighting, need to be designed and connected, while others, such as furniture, accessories, and textiles, can be left to care.
In the video I share the interior design process and mood boards I create for my clients. It starts with the idea and ends with attention to each location. Here the subject is taken from the colors, textures and light patterns of the natural world. You will see how materials, textures and colors combine with the architecture to mimic this house’s unique border between the forest and the sea.
Home design involves many decisions, from furniture and color choices to lighting and accessories. All aspects contribute to the overall look, feel and function of the space. Without an idea to guide our decisions, it’s easy to mix and match the images we like with different opinions. The total amount can be disappointing.
Most people lack the ability to articulate exactly what they want from a space, and Pinterest can unify our vision. Instead of defining a design vision or styling cues, my clients and I use Pinterest to collaboratively build a common design language when we have a cohesive concept. But we don’t stop there, I want to further reduce the images and create a storyboard display (see image below). We want to create our own creation from our own ideas, not a collection of rooms taken from dozens of other spaces. I find that using storyboards in this process helps my clients see it as their own unique style.
Gallery Of Long Studio / 30×40 Design Workshop
It is our responsibility as interior designers and architects to convey the unseen forces of a space. The house is situated on an island six miles from the sea, with weather and changing light and seasons; It’s all about contrast. The house is situated on the border of two different worlds between the forest and the sea, controlling the experience of each. I want the interior to be a fabric that makes this contrast visible.
Looking at the floor plan, there are natural spaces that are more forest-like, more residential, dark and low. Obvious areas are the entryway and the shower area. Then there is the large living room, which is large and bright with high ceilings and expansive views. In the bedroom and support area we can change the balance between light and dark, and a combination of both.
Contact as a concept is practical and can work on many levels: tonal (light and dark), material (smooth and rough), emotional (refined and normal, high / low) and so on. Since this is a small house, we want to limit the material palette, so I recommend using natural wood, painted plaster and stone as primary materials. I will feature it in metal, leather and some fabric.
Be sure to watch the video for more information on choosing equipment. Here is the palette I chose:
Port Of Cultures
Below is an excerpt from a career presentation I reviewed with my clients. Download the presentation template here.
We suspended construction on the Outpost project in early 2021 and assigned a new contractor to see completion. Although this is not the first time I have encountered this situation in twenty-five years of architecture, there are always new lessons to be learned from these changes.
Recent site visits + client requests trigger a process every architect knows: update + update. This is my process for solving real-world architectural problems, from sketching to revising drawings and documents.
Innovation begins with a clear definition of the problem and the constraints that govern the innovation. All designs benefit from constraints, and without them the possibilities are limitless. When we build, there are many constraints: budgetary, aesthetic, physical, legal, and functional. Of course, the most important of them are customer preferences. I often work on solutions that aren’t very good to show flaws and help the design process progress. Below are some examples of the first solutions I developed.
Albina Vision Trust Announces Community Design Workshop
Climbing a clear ladder
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