Digital Video Editing With Adobe Premiere Pro – In this Best Practice guide, we look at some of the workflows that allow you to edit faster and more efficiently, with more insight from editors and presentation professionals.
Editing is a manufacturing process, which means it is difficult to measure. But the editors still have to write according to the schedule. The most important thing about Adobe Premiere Pro is its flexibility, which allows editors to “work the way they want.” Editors often tell us it means speed and efficiency.
Digital Video Editing With Adobe Premiere Pro
For broadcasters and post offices, Premiere Pro fits seamlessly into established workflows and integrates with hundreds of third-party tools. Powerful, broad native format support, local, network, and growing file support, and a list of integrated industry-standard technologies and workflows help users deliver on time to strict professional standards. For more information, see Best Practices: Learning from Broadcast Production.
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New editors take advantage of Workspaces for various editing tasks, including color, graphics, and audio, which guide them through the video capture process. Experienced editors take full advantage of the comprehensive and customizable toolset to optimize their workflows. Results vary for different users and production pipelines, but broadcasters and editors often report speed benefits from working with Premiere Pro.
Getting started with project templates is setup and all editing workflows. Knowing how to work with file formats is essential for video editing to ensure exportability. After that, it’s all about editing.
Premiere Pro Workspaces speeds up user interface navigation and puts the most useful tools for different tasks right at your fingertips. Each panel in Premiere Pro has its own purpose, whether it’s the Source Monitor for reviewing your footage, the Timeline panel for authoring your sequences, or the Effects Controls panel for configuring effects. They can all be sized, grouped, stacked, or floated in front of the rest of the view.
Experienced editors use this flexibility to create custom workspaces that suit their editing style. Double-click the panel name or click the `(tomb pointer) button to switch to full screen. This is great for focused detail work or for maximizing screen real estate on a smaller screen.
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Editors can use a mouse, keyboard, or even a touch screen to make adjustments, and there are several ways to review an image before choosing the gestures you want to use in your edit:
The combination of easily accessible advanced controls and intelligent automation helps editors find creativity with fewer clicks and more freedom to explore ideas while editing their stories.
Experienced editors use keyboard shortcuts to speed up their work, allowing them to edit faster than they think. Premiere Pro has a deep set of keyboard shortcuts, but you can customize them to suit your own needs. If you’re already familiar with another NLE, you can set the default keyboard shortcuts to match ones you’re familiar with, such as Avid Media Composer or Apple Final Cut Pro.
When viewing your keyboard layout, choose Premiere Pro menu > Keyboard Shortcuts in macOS. On Windows systems, select Edit > Keyboard Shortcuts. This brings up the stack in the keyboard layout.
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From here you can customize the keyboard using presets or your own custom shortcuts. You assign keys to all applications or design different panels so that the same shortcuts can work differently in different workspaces.
As with any craft, the key to fine-tuning is practice. The great thing about Premiere Pro is that you can use it to work the way you need to, and it just feels intuitive.
To conclude this article, here are the full quotes from the editors we spoke with that provide more information and insight on how to edit faster in Premiere Pro.
“Using VICE in Premiere is built around speed, and for us, finishing post is very fast in Premiere Pro. From a fast-paced daily news to a long documentary TV show, it provides the perfect fit for many If you consider a typical 30-minute TV episode can take 20 hours to broadcast, we can turn around the program of the same length in less than 3 hours.
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Processing color and blending in the editor makes it much faster than other programs due to the fact that we do not need to export, transfer and ingest the edit to other post-processing programs. It can take up to a day depending on the length and complexity of the project. It is also a big time saver if the editor wants to make revisions. No need to go back to other programs. Post-processing in Premiere also offers the advantage of exporting final deliverables directly from our editing sessions. Completely ignore the need for an online mail process.
The Essentials panel and its ability to automatically level and save audio based on source type is a huge time saver for editing edits and getting a broadcast quality mix while working on the cut.
Playing live graphics templates from After Effects to Premiere Pro has also proven to be a huge time saver. With that, we created a powerful set of templates and workflows that allow teams of editors and artists to seamlessly move project files back and forth throughout the day while maintaining a high level of quality control. “
Vashi Nedomansky is a Hollywood-based producer, editor and author of “How We Made 6 Below: A Postscript Film Series from Start to Finish”
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“The creative and post-production world should know what’s possible with Premiere Pro. After editing on Premiere Pro for the past 14 years, I’ve created a custom workflow that I can measure just as quickly and more efficiently than other NLEs.” is.This is based on about editing 11 feature films about the 3 most common software options.
I would love an editing challenge against any competitors to test Premiere Pro against another option in a real world situation. If you’re a legend, me and two other editors on competing shows get five hours of daily from a day of a feature film (average shooting day) and they ask you to come in, set and cut the scenes from those five hours…. I will easily beat them in the schedule and cut the scenes. “
Thomas Bergman is an editor, cinematographer and illustrator and co-founder of Silbersalz Film based in Stuttgart, Germany.
“One person im Vergleich for AVID sigcherlich 100% rapider auf derselben Machine sein, indem man Workflows, Premiere Features, Key Commands schlau mit seinem kreative Process connectet.”
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Meaning: In Premiere Pro I can work at least 100% faster than Avid on the same machine because there is so much freedom to design your own production process with Premiere Pro workflows, tools and custom keyboard commands.
Jonathon Corbiere, is part of Thought Cafe, an animation studio in Toronto, Canada, and is the animation director on Oliver Sack’s Animated Mind, which is currently in production.
“The ability to copy and paste edited animations directly from Premiere Pro into After Effects, including media, timelines and all metrics, reducing our animation setup time by more than 50%.”
Christine Steele is an award-winning editor and filmmaker based in Hollywood. He is the owner of Steele Pictures Studios, Inc.
Video Editing In Adobe Premiere Pro For Beginners 2021
The customization of Premiere Pro allows me to work quickly. I map and save shortcuts and workspaces that work the way I think they should work, allowing me to do what I want – the way I want to do it – so I can do it. corrections at the speed of I I’ I think of them creatively in real time. It takes time to set up, save, test, and adjust these customizations, but once my keyboard, panel settings, and preferences are clicked in, I don’t have to think about what I’m doing, I just do it.
All these features, not to mention Dynamic Integration for After Effects and access to Motion Picture Templates, can lead to meeting tight deadlines with good search methods – instead of delivering the “expert received” cuts, which of course could have been better, if we had. more time.
It’s in craft editing where I get the real speed advantage with Premiere Pro. This is where I work through the image, cut, arrange, start writing clips. Getting deep into that history writing part: that’s the most important part of the process.
For example, when editing from master clips, there are options depending on what you’re doing. You can use traditional clips, but I don’t think it works very well. Master clips can be viewed as large thumbnails in a small box where you can mark IN to OUT fields and edit directly from that box to a timer. If you create alternate patterns, you can then edit from those patterns using the Pancake Timeline method. And best of all, you can open these pancake timelines next to the source and see that source process in a timeline.
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When cutting, you can use the mouse, but again, it’s not the most efficient way. The trim cycle is enabled so you can see and “feel” your cuts in the viewer. But you can also use the keyboard
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