Make Your Own Clothes Design

Make Your Own Clothes Design – 21st Century Digital Art is a collection of student writing from Emergent Digital Practices @ University of Denver

Click on the link below in this post and you will be guided through an online shopping experience unlike any other. Here you can buy clothes, but they are all completely white: t-shirts, scarves, bomber jackets, coats and bags. However, you will find that they do not stay empty for long. You can find online sellers who will print your clothing design on a shirt. This one is different. This allows you to dynamically create a design that will be completely unique and literally never seen before. Click on the garment and a digital silk-like spiral pattern will flow across the fabric, following the movement of your mouse. Click again and the project will restart, this time in a new location. Pressing numbers 1-8 will change the color from black to red across the color spectrum to purple. Pressing 0 and 9 will adjust the scale. You will dynamically create your own unique, intuitive designs that you can buy, print and wear.

Make Your Own Clothes Design

Print All Over Me is LIA’s generative work platform. The site where the job is posted is typically a clothing store website that allows users to upload their own photos to be printed on a variety of blank clothing items. However, LIA works are different from each other because of its design,

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By Sosolimited because it supports algorithmic, dynamic design and its Processing software. The website is supported by the Processing Foundation, from which 30% of the revenue is allocated to its support. Thanks to this, each element is completely unique and created by the movement of the user before his eyes. It takes a platform where users usually choose from images they like and transforms it into something more personal and engaging.

“We want to give artists of all kinds the opportunity to create work that we can enjoy in the physical world, as well as a way to make money. So we thought how great it would be to give users a new way to interact with the work, create new elements, and give artists and developers a new way to design.” Finkelstein, Meredith. (2015). You can now code your own clothes and processes.

LIA has used Processing in its work for many years as a visual design platform, allowing for forms that are both digitally generated and organically beautiful and unpredictable. In this case, LIA codes the software that allows the generation of the design procedure and then translates it into a p5.js file to apply to the clothes themselves.

LIA’s works explore the interactive subject of controlling a digital yet organic form. Digital media in its most basic form is inherently rigid. It is based on a binary system, a sequence of ones and zeros, yes and no, inclusion and exclusion. Most often, it is designed to be as efficient as possible, without any programmed ability to understand organic movement and thought, only a sequence of commands. This is where the art of digital art comes into play. The code must be instructed and structured in such a way that it is drawn on the screen in a way that simulates organic forms. Even in this case, when he does not imitate anything specific, we can understand his movements, predict what he will do next and be aesthetically moved by his forms.

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To further present this topic, there is another work by LIA, “Rain”. It was also interactive, but in a museum setting. The work consists of a screen controlled by many buttons that set values ​​in the software code, imitating rain falling on a track of ice. Since the work was open and interactive, LIA took 5 different screenshots and turned them into physical prints. The visual effect has undergone many changes during exposure, from thick and dark to light and thin, with various differences between. By taking photos, you’ve captured the variety of side effects and possibly felt different types of rain, rather than taking time-lapse photos, which would look unnatural due to the nature of the rain.

“The idea of ​​the work ‘Rain’ was born from observing the patterns from the random shapes created when rain falls on a window. Like other LIA works, “Rain” begins by finding patterns from the randomness/chaos of the natural environment, and then explores, extends, alters and abstracts these patterns using software to create an ever-changing visual effect. change LIAWworks. (2012). Rain.

Are generative and no two shirts or photos are the same, LIA keeps control over style. In both cases, the designs are mechanical yet organic. They use symmetry and repetition as well as accents in slightly subdued colors. This means that even when the elements interact, the work is still part of LIA because it was made according to its model, aesthetics and style. Not only that, but they also adapt to the medium on which they will be printed.

Use wide, symmetrical and wavy spirals because the prints will be on a wide canvas, if they have unusual shapes. Meanwhile,

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It is intended to imitate rain and therefore appears to flow down in straight, parallel lines. It will mimic its stylized rain no matter what the users do to change it.

Is a museum installation with dials turned by several people (accounts) and prints selected by hand and sold for a high price.

However, it is open to use by anyone with internet access and can be purchased for a much lower price. Does this make art less valuable in general? While it may seem like it, it can be seen more as a supply and demand situation.

Was sold in an edition of 5 copies. Scarcity increases the value of almost everything, especially something as collectible as art. However, where art is shown, there is much to be said. Jennifer Chan is one such artist who parodies the sterility of contemporary museum art (more on her here). People like him believe that nothing is inherently deeper, more important, or more valuable just because it sits on a white pedestal. That’s why

Lia (print All Over Me) — 21st Century Digital Art

Being widely available and expensive does not mean that it is a less valuable or important work. It just has a different audience and a different purpose. In this case, it is cooperation and creation (take into account that one of its goals is to get money for teaching Processing).

Interactive website created by Yuri Vishnevsky. Both have a silky quality, fabric that resembles and evokes the organic form that people are drawing for their dancing patterns. Wiszniewski didn’t think so at first

As an art program (which is, in the traditional sense, like Photoshop SAI), but as an experience in which people can “lose themselves”. It is very captivating, designed to fascinate and yet be soothing.

What really connects these elements is how they appeal to the human eye and delight the human brain. They draw attention to the features that we find beautiful in nature: dance movements, water ripples, changing shapes and shadows of clouds at sunset. The code was not created to be beautiful in this sense, and even programmed, the artificial intelligence is not yet at the point where it can recognize visual, aesthetic beauty. This type of digital art, generative, input-driven and self-creation, challenges these limits to create something creative, beautiful and new. We have a nice little bunch of projects for all our artists. A Design some different clothes yourself so that children can create their own designs on simple items of clothing. They can let their imaginations run wild – we have many different clothes for them to wear.

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The idea behind this activity is to allow children to explore design and also come up with their own clothes to design! The pack includes six sheets to help with this activity, and each page has several instructions to inspire kids to get creative with their fashion.

The way you use them with children will vary depending on the time you have and the age of the children. For example:

There are many free project ideas that should allow you to focus on what you want to do.

The last sheet of the pack is almost completely empty! No, we didn’t accidentally forget to print anything on this…

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For the last sheet in the package; We invite children to create their own clothes. How about a midi bodycon dress or a milkmaid top? Maybe they feel like designing a pair of shoes or even a hat? They are what they come with. Let them decide and design that too.

We hope that the projects on the previous pages of the package will inspire them to create great work?

As always – you

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